What José Parlá, JR and Kunle Martins Learned from Graffiti
For Parlá, it’s a mode of aesthetic innovation; for JR, it’s a jumping-off point and a pretense; for Martins, it’s a way to connect past and present.
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What José Parlá, JR and Kunle Martins Learned from Graffiti
For Parlá, it’s a mode of aesthetic innovation; for JR, it’s a jumping-off point and a pretense; for Martins, it’s a way to connect past and present.